A huge cache of rare Hollywood memorabilia is up for sale at a London auction on September 20. The catalog includes over 600 items from movies like Back to the Future, Blade Runner, Batman, Blues Brothers, Die Hard, Goonies, Harry Potter, Indiana Jones, James Bond, Lord of the Rings, Star Trek, Star Wars, Superman, Terminator, Willy Wonka and the Chocolate Factory, and X-Men.
I’ve been keeping track of every media thing I “consume”, so here are quick reviews of some things I’ve read, seen, heard, and experienced in the last month or so. This installment has a few things on it from a trip to NYC and is also very movie-heavy. In addition to the stuff below, I also finished Sharp Objects (HBO series, not the book) and Star Trek: Voyager, both of which I reviewed last time. I’m almost done with Origin Story…might do a whole separate post on that one. Up next in the book department: Now My Heart Is Full, The Good Neighbor, or Fantasyland.
Bundyville. This podcast came highly recommended by a reader but as soon as Cliven Bundy opened his mouth to speak I realized I did not want to spend a single second of my life in this asshole’s ville or town or mind or anything. Maybe this makes me intolerant or incurious? Not sure I particularly care…there are worthier things I can choose spend my time on. (-)
Radiohead at TD Garden, 7/29/2018. I somehow won the Ticketmaster lottery and got floor tickets, so we were about 35 feet from the stage. Cool to see my favorite band that close. (A)
Kitchen Confidential by Anthony Bourdain. One of our culture’s recent great storytellers. It’s dated (and cringeworthy) in places, but that Bourdain voice and perspective is right there on the page, almost fully formed. In the chapter about Tokyo, you also get to witness the prototype for Bourdain’s third and, arguably, greatest career as a culinary and cultural observer of far-flung places. Pro tip: get the audiobook read by the man himself. (A)
My new electric toothbrush. Why didn’t anyone tell me about this sooner? My teeth feel (and probably are) so much cleaner now! (A-)
Holedown. I’ve spent too many hours playing this. It sucks I hate it it’s so good and I can’t stopppppppp. (A-/D+)
Crazy Rich Asians. A romantic comedy with a strong dramatic element rooted in family & cultural dynamics, women who are strong & interesting & feminine in different ways, and a wondrous setting. Also, put Awkwafina in every movie from now on. (A-)
Won’t You Be My Neighbor?. Fred Rogers was a relentless person, a fantastic example of a different kind of unyielding masculinity. I sobbed like a baby for the last 20 minutes of this. (A)
BlacKkKlansman. Messy. I didn’t really know what to feel about it when it ended…other than shellshocked. Was that the point? (B+)
Bill & Ted’s Excellent Adventure. I watched this movie at least 100 times in high school. Despite not having seen it in probably 20 years, I still knew every single line of dialogue — inflections, timing, the whole thing. (A+)
Published by the North American Cartographic Information Society, the upcoming 2018 Atlas of Design showcases 32 of the best maps made over the past 2 years. Atlas Obscura has a selection of maps featured in the book.
A Swiss company has designed a system for storing energy in concrete blocks. The blocks are lifted by a crane when surplus energy is available (say, when the Sun is shining or the wind blowing) and then, when energy is needed later, allowed to fall, turning turbines to generate electricity.
The innovation in Energy Vault’s plant is not the hardware. Cranes and motors have been around for decades, and companies like ABB and Siemens have optimized them for maximum efficiency. The round-trip efficiency of the system, which is the amount of energy recovered for every unit of energy used to lift the blocks, is about 85% — comparable to lithium-ion batteries which offer up to 90%.
Pedretti’s main work as the chief technology officer has been figuring out how to design software to automate contextually relevant operations, like hooking and unhooking concrete blocks, and to counteract pendulum-like movements during the lifting and lowering of those blocks.
It’s a wonderfully simple idea, a 19th century solution for a 21st century problem, with some help from the abundant natural resource that is gravity. When the local utility’s got surplus electricity, it powers up the electric motors that drag 9,600 tons of rock- and concrete-filled railcars up a 2,000-foot hill. When it’s got a deficit, 9,600 tons of railcar rumble down, and those motors generate electricity via regenerative braking — the same way your Prius does. Effectively, all the energy used to move the train up the hill is stored, and recouped when it comes back down.
There’s something really interesting about big kinetic machines operating as though they were computers, autonomous black boxes where data flows in and out that can operate anywhere with a bit of flat ground.
Insta Repeat collects photos of people (particularly so-called “influencers”) taking similar photos on Instagram — peeking out of an open tent flap, perched on top of an offroad vehicle, on the end of a dock — and displays them together.
Taking a photo of a friend holding up the Leaning Tower of Pisa or jumping in the middle of the road in Utah are really good ideas — that’s why lots of people do it — but each successive photo of the same thing doesn’t tell us anything new about those places, experiences, or people.
For influencers, a cliched photo is easy money, a tried and true way of capturing what others already know is the essence of a place or an experience. For most of the rest of us, we aren’t looking to say anything new about someone or somewhere. We just want to capture our experience to show our friends and well-wishers on Instagram. If I saw my tent flap hanging open to a beautiful mountain vista, of course I would take the hell out of that photo.